picadorbookroom:

Because really, what else would you do with a broken fridge? (Image stolen from Lawrence Public Library.)

picadorbookroom:

Because really, what else would you do with a broken fridge?

(Image stolen from Lawrence Public Library.)

• Posted Friday May 24 12pm  79 notes

 
 

jroar:


Next Saturday, I will be losing my moderating virginity at a panel entitled “SINGING AND SCREAMING: The Art of Voice in Fiction” at the 10th Saints and Sinners Literary Festival, the biggest LGBT literary gathering and a cousin of the Tennessee Williams/New Orleans Literary Festival. The panel comprises Justin Torres, Summer Wood, J.M. Redmann and Trebor Healey. 
May 25
1 PM
SINGING AND SCREAMING: THE ART OF VOICE IN FICTION 
Stories speak to us through the people that live and breathe within them. Narratives populated by characters with memorable, affecting voices often reverberate in our consciousness long after the last page. Listening for and recording the sounds, feelings and thoughts of your fictional creations might be amongst the toughest tasks of writing. Authors in this panel reveal their personal processes of how they come to characters and how they let them to speak and seep on to the page.
Panelists: Trebor Healey, J.M. Redmann, Justin Torres, and Summer Wood.
Moderator: J.R. Ramakrishnan.
Hotel Monteleone, Royal Salon C,D
The full Saints and Sinners program is here. 



I wish I lived close to New Orleans! I’d love to see this panel!

jroar:

Next Saturday, I will be losing my moderating virginity at a panel entitled “SINGING AND SCREAMING: The Art of Voice in Fiction” at the 10th Saints and Sinners Literary Festival, the biggest LGBT literary gathering and a cousin of the Tennessee Williams/New Orleans Literary Festival. The panel comprises Justin Torres, Summer Wood, J.M. Redmann and Trebor Healey. 

May 25

1 PM

SINGING AND SCREAMING: THE ART OF VOICE IN FICTION 

Stories speak to us through the people that live and breathe within them. Narratives populated by characters with memorable, affecting voices often reverberate in our consciousness long after the last page. Listening for and recording the sounds, feelings and thoughts of your fictional creations might be amongst the toughest tasks of writing. Authors in this panel reveal their personal processes of how they come to characters and how they let them to speak and seep on to the page.

Panelists: Trebor Healey, J.M. Redmann, Justin Torres, and Summer Wood.

Moderator: J.R. Ramakrishnan.

Hotel Monteleone, Royal Salon C,D

The full Saints and Sinners program is here

I wish I lived close to New Orleans! I’d love to see this panel!

• Posted Thursday May 23 11pm  1 note

 
 

"The only answer to death is the heat and confusion of living; the only dependable warmth is the warmth of blood. I can feel my own beating even now."

Audre Lorde, The Cancer Journals: Special Edition, “II. Breast Cancer: A Black Lesbian Feminist Experience”

Posted Thursday May 23 9pm  4 notes

 
 

littledallilasbookshelf:

The American Bookstore, Amsterdam

Posted Thursday May 23 7pm  88 notes

 
 

"My work is to inhabit the silences with which I have lived and fill them with myself until they have the sounds of brightest day and the loudest thunder. And then there will be no room left inside of me for what has been except as memory of sweetness enhancing what can and is to be."

Audre Lorde, The Cancer Journals: Special Edition, “II. Breast Cancer: A Black Lesbian Feminist Experience”

Posted Thursday May 23 5pm  1 note

 
 

painted-with-watercolor:

penetralium on We Heart It - http://weheartit.com/entry/13318485/via/itsjustanotherdreamer
Hearted from: http://lobsterpotmayhem.tumblr.com/page/15

painted-with-watercolor:

penetralium on We Heart It - http://weheartit.com/entry/13318485/via/itsjustanotherdreamer

Hearted from: http://lobsterpotmayhem.tumblr.com/page/15

• Posted Thursday May 23 2pm  11 notes

 
 

pimpiknows:

Source: The Guardian

Photo Source: Robert Alexander - Getty Images
From the article:

Audre Lorde dropped the y from Audrey when she was still a child so she could be Audre Lorde. She liked the symmetry of the es at the end. She was born in New York City in 1934 to immigrants from Grenada. She didn’t talk till she was four and was so short-sighted she was legally blind. She wrote her first poem in eighth grade.

pimpiknows:

Source: The Guardian

Photo Source: Robert Alexander - Getty Images

From the article:

Audre Lorde dropped the y from Audrey when she was still a child so she could be Audre Lorde. She liked the symmetry of the es at the end. She was born in New York City in 1934 to immigrants from Grenada. She didn’t talk till she was four and was so short-sighted she was legally blind. She wrote her first poem in eighth grade.

• Posted Thursday May 23 12pm  1 note

 
 

(Source: intuitive-thinker)

View HD • Posted Wednesday May 22 9pm  2 notes

 
 

"I seem to move much more slowly now these days. It is as if I cannot do the simplest thing, as if nothing at all is done without a decision, and every decision is so crucial. Yet I feel strong and able in general, and only sometimes do I touch that battered place where I am totally inadequate to any thing I most wish to accomplish. To put it another way, I feel always tender in the wrong places."

Audre Lorde, The Cancer Journals: Special Edition, “II. Breast Cancer: A Black Lesbian Feminist Experience”

Posted Wednesday May 22 7pm  1 note

 
 

escapekit:

Book Sculptures 

Edinburgh-based graphic design student Thomas Wightman has produced a trio of astounding book sculptures for his graduation project. 

(via bookporn)

Posted Wednesday May 22 5pm  3,888 notes

 
 
 
 
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